As the country gears up to celebrate the 250th anniversary of its independence, Marietta's own slice of history - the Marietta History Center - is lining up events that bring to life the storied past of political expression through art. On March 2, history enthusiasts can join authors Catherine A. Moore and Megan Hauser for an exclusive look into the world of political illustration spanning from the nation’s birth to the current day.
While commemorating America's 250th anniversary, or America250, the Evening with History event will delve into the evolution of political cartoons and posters that have vibrantly illustrated America's political climate over the centuries. As it was put on display at the Marietta History Center, iconic works to be discussed include the famed "Join, or Die" snake cartoon and the punchy Civil War-era depictions by Thomas Nast, along with later campaign and protest imagery.
Moore, teaching art at Georgia Gwinnett College, together with Hauser, a lecturer in political science at Kennesaw State University, have co-authored "Political Illustration: The Visual Language of Propaganda, Censorship, and Dissent." This program will not just showcase their expertise but also provide an opportunity for guests to acquire signed copies of the book, as reported by the City of Marietta.
Interested in attending? You should head to 1 Depot Street in Marietta at 6:00 p.m. on March 2. Eager beavers can arrive as early as 5:30 p.m. when the doors open. Tickets for members are up for grabs at $5, while non-members can get theirs for $10. Members looking to reserve their seats can do so by shooting off an email to [email protected], and availability for the general public, both online and in-person, stands ready for those keen to secure their spot for this educational evening.
For those eager to dive more into the event details, or the wider offerings of the Marietta History Center as part of its America250 celebrations, visit their website at MariettaHistory.org for further information and upcoming programming.
