New York City

Seaport's Tin Building Trades Lobster Rolls for Balloon Art in Abramović Takeover

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Published on June 04, 2026
Seaport's Tin Building Trades Lobster Rolls for Balloon Art in Abramović TakeoverSource: Google Street View

The Balloon Museum, an inflatable walk-through art playground that has already pulled in millions of visitors around the world, is planting a permanent U.S. flagship at the Tin Building in the Seaport this summer. The new venue at 96 South Street officially opens on July 15 with an inaugural exhibition titled DAYDREAM: Air Becomes Art, headlined by Marina Abramović’s first inflatable installation. The shift effectively transforms the Tin Building’s brief life as a Jean-Georges food hall into a large-scale cultural attraction aimed at families, tourists and art fans who like their installations big, bright and very photo-ready.

When tickets go on sale and what they cost

Tickets for opening week go on sale June 8. Adult admission starts at $40 and tickets for children ages 4 to 12 start at $26, with family bundles and flex options in the mix. The museum says it will be open daily, with later weekend hours that keep doors open until 10 p.m. and last entry two hours before closing, according to Balloon Museum.

Abramović’s inflatable 'meadow'

The marquee work, titled SNOWY/WINDY/SPRING ON THE PLANET Z, is described as a glowing white “extraterrestrial meadow” filled with shoulder-high inflatable grass and circulating artificial snow. In a press release via Blue Medium, Abramović notes that “The balloon is, fundamentally, a childhood object,” and organizers emphasize that the installation marks her first sustained exploration of air and environment as primary materials.

Other major works on view

DAYDREAM, curated by Valentino Catricalà, gathers a slate of international artists who turn air, light and sound into full-body experiences rather than something you just glance at from behind a rope. The exhibition includes Martin Creed’s Work No. 3883 (a greenhouse filled entirely with blue balloons), Karina Smigla-Bobinski’s ADA, Thom Kubli’s Black Hole Horizon and Valerio Berruti’s reimagined carousel, as reported by Time Out.

From food hall to inflatable anchor

Seaport Entertainment Group reached a lease agreement with Lux Entertainment to install the Balloon Museum in the Tin Building, a deal the company announced in February in a corporate release. The change comes on the heels of the Tin Building’s abrupt closure in February after years of vendor shrinkage, layoffs and heavy financial losses. Reporting by Gothamist detailed the venue’s money troubles. For locals, the reboot reads as a full pivot from a struggling high-end food-hall experiment to an immersive attraction explicitly designed to pull people back down to the Seaport.

Practicalities and previews

Organizers say a media preview is scheduled for July, with opening-week programming to be announced closer to launch; press access specifics are outlined in the museum’s press notes. The project is billed as family-friendly and participatory, backed by engineering and computerized design systems built for large inflatable commissions, according to Balloon Museum. Flex-ticket options that allow re-entry and a range of family bundle prices are listed on the museum’s ticket pages, so visitors can map out longer, hands-on visits without rushing through the bubbles and balloon grass.