Austin's beauty scene is buzzing with the grand unveiling of a reinvented salon concept that marries manicures with mixology. Vinyl Beauty Bar, originally nestled in the Chestnut neighborhood, has revamped its presence by moving into a striking new space in the Holly district at 2400 East Cesar Chavez Street, Unit 312 as of May 3. As detailed by Austin Eater, the venue levels up the traditional salon experience, fusing it with a full cocktail bar, featuring local spirits and crafted drinks by co-founder Tinita Harpel herself.
The allure doesn't to stop there — Vinyl is now a hub for music lovers with a stage setup ready to host DJ sets and concerts, ensuring every haircut comes with a headphone-worthy harmony. In their own words, the team behind Vinyl has cultivated a "vibrant and poppy" ambiance, with decor notes that hit every sensory cue. A standout feature is the hot pink bar, graced by a mural of Dolly Parton, according to Austin Eater, which supports their roster of community-focused events and nonprofit partnerships.
Michael and Tinita Harpel, the powerhouse couple and co-owners, have crafted a multifaceted venue. Among the draws, a standout feature is the record shop and a market loaded with self-care goodies, jewelry, and art — all available for patrons to browse and buy. Vinyl takes the mantle from a previous incarnation in the city, a legacy of the national Beauty Bar chain, which also mixed beauty services with cocktails and live music concerts.
If hosting an event is on your agenda, as per KXAN, Vinyl Beauty Bar introduces an arena where standard salon services are just the starting note. They not only offer a Dolly Parton-inspired bar and full stage with a premium sound system but also claim to fully adapt the space to make each event a personal hit. Their doors are wide open for anyone interested in elevating their gathering into something that's both distinctive and inclusive, with features like ADA-accessible facilities and free validated parking arguably strumming the right chords for all guests.
