
Nas, The Roots and De La Soul brought a sold-out crowd to Long Beach's waterfront last Friday night for a show billed as A Great Night in Hip Hop, and just like every other big concert at the F&M Bank Amphitheater, getting there meant skipping the parking lot entirely. Doors opened at 6:30 p.m. with the performance kicking off at 7:45 p.m., but the real logistical story played out well before anyone reached their seat.
The venue at 1051 Queens Hwy has no general concertgoer parking, a policy the amphitheater has enforced since opening, according to a Long Beach City Facebook post promoting know-before-you-go details ahead of the show. Instead, fans were funneled toward pre-paid Downtown Long Beach parking lots connected to the venue by dedicated shuttle buses, a system the amphitheater says uses dedicated lanes to bypass waterfront traffic. Even with that setup, the Facebook post noted that traffic heading toward the venue was heavy, though the shuttles still offered what the post called quick access to and from the site.
Rideshare users had another option Friday: setting their drop-off point to either a designated shuttle stop or directly to the venue, per the same Facebook post. For anyone arriving by bike, scooter, or skateboard, a free valet sat just outside the West Entry at Harry Bridges Memorial Park, run by the nonprofit advocacy group Streets Are For Everyone and typically staffed from an hour before doors until 45 minutes after the show ends, according to the F&M Bank Amphitheater.
A Ferry Ride Straight to the Show
Fans looking to skip roads altogether could hop the AquaLink water taxi, which picked up passengers at Dock 4 and dropped them directly at the venue for a $12 roundtrip fare, per the Facebook post. Pedestrians coming from Downtown Long Beach had yet another route: a lit, ADA-accessible walking path across the Queensway Bridge that leads straight to the West Entrance and takes about 20 minutes, according to the venue's own visitor guidance.
Entry Friday was mobile-only, with guests' phones serving as their tickets — no printouts or screenshots accepted, the Facebook post said. Attendees were urged to download tickets to their mobile wallets before leaving home. Tickets for the show were sold through Live Nation. Bag policies were also spelled out in detail: clear bags up to 12 inches high by 12 inches wide by 6 inches deep were allowed, along with small clutches or wristlets up to 5 inches by 8 inches by 2 inches that did not need to be clear, but backpacks were barred entirely. Diaper or medical bags were permitted for the guest who needed them, and all bags were subject to search at entry. Free Wi-Fi, presented by Atomic Data, was available under the network name @fmbamp.
Why the Waterfront Got a New Stage
The zero-parking model isn't a one-off inconvenience — it's baked into how the F&M Bank Amphitheater was designed to operate. The temporary, 11,000-seat venue opened in June with a grand-opening concert from Long Beach native Snoop Dogg, and city leaders have described it as a 10-year stepping stone toward a permanent Long Beach Bowl on the waterfront, according to the Los Angeles Times. City leaders have floated the site eventually hosting up to 40 major events a year.
The $21 million facility was built with financing from the city's Tidelands Funds Group, with officials projecting net operating profits of $2.5 million to $3 million annually to repay the investment without tapping general tax dollars, according to the City of Long Beach. That revenue goal is meant, in part, to help offset the city's declining income from oil extraction. Legends Global, which operates more than 450 venues worldwide, runs day-to-day operations, booking and guest services under a five-year contract with the city, while the Port of Long Beach signed on as founding sponsor, committing $650,000 annually over five years toward marketing and community activations.
Long Beach officials moved to accelerate the amphitheater's timeline after Irvine's 12,000-seat FivePoint Amphitheatre closed in October 2023, leaving a gap in Southern California's outdoor concert market that city leaders reportedly assessed firsthand by attending FivePoint's final show. Friday's hip-hop triple bill is only the latest marquee booking to test the venue's transit-heavy approach; Hoodline previously covered how the venue's Three Pianos tour finale and an AquaLink-fueled Lil Wayne show at the Queen Mary both leaned on the same shuttle-and-ferry playbook to move crowds without a traditional parking lot.








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