
A teenager who lost $500 to a street con artist grew up to become one of the world's most decorated illusionists, and this Labor Day weekend she's bringing her sleight-of-hand act to Seattle Center. Master illusionist Maritess Zurbano is set to headline Bumbershoot's Magic Dome, offering an intimate 20-person close-up experience inside the festival's Recess District.
Zurbano turned her fascination with tricks into a world-class career, according to FOX 13 Seattle, which reports she was conned out of $500 as a teenager, an experience that set her on the path toward magic. Her own published account of that origin story, detailed by CanvasRebel Magazine, describes the scam as a version of the classic con known as the Pigeon Drop, which she fell for in Chicago before deciding to study magic at a local shop and eventually moving to Las Vegas to master sleight-of-hand, supporting herself along the way by dealing blackjack at the Dunes Hotel in the 1990s.
From Card Tables to World Championships
That Las Vegas apprenticeship helped launch a career that has taken Zurbano well beyond casino floors. She is the only Filipina-American professional stage hypnotist in the world and represented the United States at the Fédération Internationale des Sociétés Magiques World Championships in Lisbon, a competition often called the Olympics of Magic, according to a profile from GigRoster. Zurbano is breaking barriers in magic, a field where women remain sharply underrepresented at the highest levels.
Female illusionists made up just 7 percent of magician members at Hollywood's Magic Castle in 2016, a figure that rose to only 12 percent by 2019, and women accounted for just 300 of the 4,000 active members of the Society of American Magicians as of 2021, per statistics cited by Time Out. Zurbano has channeled that imbalance into her own creative work, writing and starring in the memoir-based one-woman play Rites of Enchantment, which examines her experience navigating the male-dominated Las Vegas magic scene. The show was produced Off-Broadway at Ars Nova and selected for the New York International Fringe Festival, according to the Jack Straw Cultural Center.
An Intimate Setting Inside the Recess District
At Bumbershoot, Zurbano is bringing that same intimacy to Seattle Center, with her close-up show capped at 20 attendees inside the Magic Dome. The venue sits within Bumbershoot's Recess District, which this year also features performance art by Una the Mermaid inside a 900-gallon glass tank, a Comedy Coop hosted inside Seattle Children's Theatre, and a Puppet Playhouse, according to Bumbershoot.
Zurbano won't be alone on the Magic Dome stage. The lineup includes fellow regional illusionists Travis Kim, Ruben Barron, and Taylor Kyle, with the festival running daily performances throughout the weekend. Kim, a Seattle-based close-up sleight-of-hand specialist, has headlined at the Magic Castle in Hollywood, giving the Magic Dome a roster with serious national credentials alongside Zurbano's international resume.
A Festival Built for Reinvention
Bumbershoot itself has a long history of reinvention. The festival was created in 1971 as Festival '71, the Mayor's Arts Festival, launched with a $25,000 city budget to lift civic spirits during Seattle's Boeing Bust economic downturn, and it drew 125,000 people to Seattle Center in its very first year, according to HistoryLink. More than five decades later, the 53rd annual edition returns to the same Seattle Center campus on Labor Day weekend, September 5 and 6.
This year's festival arrives with a restructured layout, including reduced base ticket tiers, a new adult sip-and-stroll area, and a paid re-entry policy, changes Hoodline previously reported. The main music roster is headlined by Pacific Northwest indie band Death Cab for Cutie, hardcore punk outfit Turnstile, and masked country singer Orville Peck, with additional sets from Blood Orange and Bikini Kill, per the Seattle Center.
Amid that sprawling lineup of headline acts, the Magic Dome offers festivalgoers a smaller-scale, close-up alternative, one built around a performer whose path to the stage began with getting scammed on a Chicago street corner. For Zurbano, that origin story has become part of the show itself, a reminder that some of the best tricks come from learning how easily people can be fooled in the first place.









