New York City/ Arts & Culture

NYC Ballet's Fall Season Opens With Jewels, Ends With a Principal's Farewell

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Published on September 25, 2026
NYC Ballet's Fall Season Opens With Jewels, Ends With a Principal's FarewellLincoln Center — Home Of NYCB Fall Season
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New York City Ballet's Fall 2026 season began September 22 at the David H. Koch Theater with a weeklong run of George Balanchine's Jewels, kicking off a 21-week run that stretches into next spring; the fall season closes with a farewell for one of the company's longest-serving principal dancers. The season runs from September 22 through October 18, 2026, according to Time Out, with performances continuing at the Lincoln Center venue that has housed the company since the 1960s.

Jewels itself carries extra weight this fall. As reported by Time Out, the ballet — split into Emeralds, Rubies, and Diamonds — runs through September 27 before the season moves into a run of mixed repertory programs. The piece was created in 1967 and is widely recognized as the first full-length plotless ballet ever staged, according to HiClass Magazine, with its 60th-anniversary celebration scheduled for the Winter 2027 season, February 12–14.

A Season Built on Scale

The fall lineup is just a slice of a much bigger undertaking. Per the same HiClass Magazine report, NYCB's full 2026–27 season spans 48 ballets across 21 weeks, performed by nearly 100 dancers alongside the 62-piece NYCB Orchestra under Music Director Andrew Litton, with the full season running from September 22, 2026, through May 30, 2027. Time Out's rundown of the fall portion alone includes programs like Masters at Work and Eclectic NYCB, which features choreography by Balanchine, Christopher Wheeldon, and Alexei Ratmansky.

The fall calendar also carves out space for newer voices. A program billed as Contemporary Choreographers offers world premieres by Jennifer Archibald and Alysa Pires, alongside recent works by Justin Peck and Kyle Abraham, according to Time Out's listing. That balance of foundational works, revivals, and new commissions reflects deliberate curation by Associate Artistic Director Wendy Whelan, who designed the season in collaboration with Artistic Director Jonathan Stafford and Resident Choreographer Justin Peck, the same HiClass Magazine report notes.

Fashion Meets Choreography at the Gala

The season's fundraising centerpiece, the Fall Fashion Gala, lands on October 1 and brings three world premieres pairing choreographers with high-fashion designers. As detailed by Pointe Magazine, NYCB debut choreographer Jennifer Archibald teams with couturier Robert Wun, Alysa Pires works with Viktor&Rolf, and Justin Peck creates a pas de deux with designer Simone Rocha — notably made for real-life principal couple Tiler Peck and Roman Mejia.

The gala itself has a long institutional track record. Established in 2012 under Founding Chair Sarah Jessica Parker, the annual event has raised more than $37 million for the company over its history, per Broadway World. The gala has become something of a fixture pairing prominent designers with emerging and established choreographers year after year.

A Rare Revival Returns to the Stage

Beyond the anniversary programming and gala premieres, the fall season also brings back a piece of NYCB history that hasn't been danced in decades. Broadway World reports the company is reviving Balanchine's 1968 avant-garde work Pithoprakta, staged by original lead ballerina Suzanne Farrell, marking its first NYCB performances since 1969. Set to an explosive score by Greek-French composer Iannis Xenakis, the ten-minute ballet features a 12-dancer corps and a non-touching pas de deux, according to the outlet's reporting.

A Principal Dancer's Final Bow

The season concludes on October 18 with a special program honoring retiring principal Adrian Danchig-Waring, per Time Out's listing. Danchig-Waring has danced with NYCB for more than 23 years since joining as an apprentice in 2003, according to background published by New York City Ballet, and was promoted to principal in 2013. He'll continue on with the company after his stage exit, serving as artistic director of the New York Choreographic Institute.

For the farewell, choreographer Pam Tanowitz created a world premiere pièce d'occasion, joined by performances of Lar Lubovitch's Each In Their Own Time and Balanchine's The Four Temperaments and Agon, Broadway World reports. Danchig-Waring originally created his role in the Lubovitch piece, adding a layer of personal history to the sendoff. He's not the only principal departing this season — Taylor Stanley, who joined NYCB in 2009 and reached principal rank in 2016, has a farewell performance scheduled for February 28, 2027, according to Pointe Magazine, signaling a broader generational shift among the company's top dancers.

Where to Catch the Season

All performances take place at the David H. Koch Theater at Lincoln Center, on the Upper West Side at W 63rd St at Columbus Ave, accessible via the 1 subway line to 66th St–Lincoln Center, per Time Out's venue details. The theater itself carries its own history: it opened in April 1964 as the New York State Theater, designed by architect Philip Johnson for the 1964–1965 World's Fair, and has served as NYCB's permanent home ever since, according to the David H. Koch Theater.

Tickets for the fall season range from $54 to $317, according to Time Out, with performances continuing through early October before the season shifts toward its winter and spring programming. Current principals dancing this fall include Tyler Angle, Gilbert Bolden III, Chun Wai Chan, Jovani Furlan, Emilie Gerrity, Joseph Gordon, Anthony Huxley, Isabella LaFreniere, Sara Mearns, Roman Mejia, Miriam Miller, Mira Nadon, Tiler Peck, Unity Phelan, Taylor Stanley, Ryan Tomash, and Daniel Ulbricht, per the same listing. More information and tickets are available at www.nycballet.com.