Kandi Burruss is bringing her marriage, her divorce, and an unreleased song straight to the Dallas stage. Her one-woman show, “I Do. I Did. I’m Done,” lands at House of Blues Dallas on Friday, walking audiences through what she’s described as the full arc of her relationship with Todd Tucker — from wedding day to courtroom finale.
The show is built around the collapse of a marriage that lasted nearly 12 years, according to the Dallas Observer. Burruss has said she found her marriage falling apart in July 2025 and spent months internalizing the fallout before filing for divorce from Tucker that November, per the outlet. The case moved through Fulton County, Georgia, court and closed out in March 2026, with Burruss and Tucker agreeing to joint legal and physical custody of their two minor children, according to Forbes. Neither party owed child support because their monthly earnings were roughly equal, and both waived alimony permanently, with Burruss making a net financial equalization payment of $426,388.77 to Tucker.
A Contested Prenup Becomes Stage Material
The legal fight wasn’t entirely clean. During the proceedings, Tucker challenged the validity of their 2014 prenuptial agreement, alleging he signed it under pressure and without legal counsel, Forbes reports. Burruss countered that claim by pointing to broadcast footage from the 2014 Bravo spin-off “Kandi’s Wedding,” which reportedly shows Tucker consulting an attorney at the time. That friction, along with real footage of Burruss in tears or visibly frustrated, reportedly makes its way into the stage show itself.
Burruss has said the tour has become part of her own healing process, and that she uses creative expression to work through what she internalizes. She’s also said she’s adjusting to being single again and that returning to dating felt scary at first, with people “coming at her” now that she’s back on the market, according to the Dallas Observer’s reporting. Even so, she’s said she plans to keep her interactions with Tucker pleasant for the sake of their children.
New Music, Still Under Wraps
Beyond the marital play-by-play, Burruss created an original, unreleased song specifically for the show, though she has not decided whether it will ever come out publicly, per the outlet’s account. It fits a pattern for a woman who built her name as a songwriter long before reality television found her. Burruss performed with Xscape in the 1990s before shifting into songwriting, and in 2000 she became the first Black woman in history to win ASCAP’s Songwriter of the Year award in any genre, according to Essence, recognized for penning hits including TLC’s “No Scrubs” and Destiny’s Child’s “Bills, Bills, Bills.” That same year, she won a Grammy for Best R&B Song as a co-writer on “No Scrubs,” which spent four weeks at No. 1 on the Billboard Hot 100 in 1999, per BET.
The show reportedly covers happy, fun, sexy, wild and emotional moments, and ends with music about pushing through hard times. Burruss has said attendees can expect an emotional rollercoaster that still sends them out smiling. She’s also said solo performances give her more intimate venues and more creative freedom than the ensemble television format she left behind.
From Reality TV to Broadway to a Solo Stage
Burruss announced on the Grammy Awards red carpet in February 2024 that she was leaving “The Real Housewives of Atlanta” after 14 seasons, ending her run as the franchise’s longest-serving cast member, as Hoodline previously reported. Since then, she’s leaned further into theater: she earned a Tony nomination in May 2023 as a producer of August Wilson’s “The Piano Lesson,” and returned to Broadway as an actor playing Angélique in “& Juliet” from December 2025 through March 2026, according to the Dallas Observer. She’s also known for winning Season 3 of Fox’s “The Masked Singer” as “Night Angel” in 2020, becoming the show’s first female winner, and for headlining six Bravo spin-off series, including “Kandi’s Wedding” and “Kandi & The Gang.”
The “I Do. I Did. I’m Done.” tour launched this spring across cities including Atlanta, Chicago, St. Louis and Nashville, and it runs as a phone-free event, requiring audience members to lock their devices inside Yondr pouches for the duration of the show. Burruss has said she loves Dallas and that local audiences have consistently shown her love, and she extended the tour to add the city at the tail end of the run.
Where and When to Catch the Show
House of Blues Dallas sits at 2200 N. Lamar St. near Victory Park, inside the historic 1920s White Swan Coffee roasting building, a 60,000-square-foot complex anchored by a main music hall that holds roughly 1,750 guests, as Hoodline has previously detailed. Burruss’s Friday stop there kicks off a late-tour Texas swing that continues with a House of Blues Houston date next Sunday, with both shows restricted to audiences 21 and older, according to Ticketmaster.
