Karina Pasian is scheduled to perform “Slow Motion” on Oct. 17 at DJ Poppa’s Love and Heartbreak birthday celebration at The Metropolitan in New Orleans. The event is listed for 10 p.m. to 2:30 a.m. as an all-black affair for guests 21 and older; WWL Louisiana gives the venue address as 310 Andrew Higgins Drive and says tickets are available through herewegoent.com. The Metropolitan’s website describes the venue as having three rooms and 14 VIP sections.
The New Orleans connection also includes a local version of the song: WWL reports that the city’s bounce remix features Elm Boy Peg. The event coverage names Pasian as a performer but does not say whether Peg or the remix will be part of the night’s program. That distinction matters: the confirmed booking brings the song’s original recording artist to the venue, but the available details do not establish which version audiences will hear.
A separate, earlier example offers context without establishing a continuous or widespread trend. Rolling Stone describes T.T. Tucker and DJ Irv’s 1991 cassette collaboration “Where Dey At,” which brought the “Drag Rap” tune into a New Orleans bounce setting with Tucker’s chants. It involved different artists and a different song; it is a precedent for that particular adaptation, not evidence about how often songs are reworked or a direct link to Pasian’s track.
