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Published on February 03, 2024
Maestro Jeffrey Kahane Takes the Baton as San Antonio Philharmonic's New Music DirectorSource: USC Thornton School of Music

In a significant coup for the burgeoning San Antonio Philharmonic, maestro Jeffrey Kahane has taken the helm as the new music director. The acclaimed conductor and pianist, Kahane, joins the orchestra following its reformation from the ashes of the San Antonio Symphony, which dissolved in June 2022. As per the San Antonio Report, his tenure officially kicks off in the summer, signaling a new chapter for the 60-member ensemble.

The appointment is a strategic move for the SA Phil, as it seeks to cement its status in a city with a voracious appetite for the arts. Kahane, familiar with the orchestra since the early '90s, shares a history with the group, having fostered a visceral connection during his tenure with other orchestras. His experience is expected to be a linchpin in propelling the philharmonic into the spotlight. According to the San Antonio Report, Roberto Treviño, executive director of the SA Phil, highlighted Kahane’s eagerness to "add to the great movement that the musicians have started," a sentiment reflecting the orchestra's drive to forge strong community ties.

His bilingual abilities and formative years in Los Angeles allow him to connect deeply with San Antonio's diverse communities. Kahane's background boasts not only a fundamental triumph in the renowned Arthur Rubinstein International Competition but over two decades at the helm of the Los Angeles Chamber Orchestra. The USC Thornton School of Music where Kahane currently teaches, expressed their enthusiasm for his new appointment, underscoring his holistic intention to make the SA Phil "truly an orchestra for everyone."

In his new capacity, Kahane is tasked with reinvigorating the orchestra's programming, amalgamating both traditional and contemporary works, including compositions by USC Thornton alumnus Peter Shin. Having already proven his mettle with successful initiatives in Los Angeles, such as the Westside Connections and Sound Investment, expectations are high for his impact in San Antonio. Kahane himself has shared his vision, albeit coy about the specifics, asserting to the San Antonio Report that the upcoming season will exhibit "enormous variety" and affirm the orchestra's voice as a dynamic entity of the 21st century.

The trajectory of Kahane's career suggests a promising future for the SA Phil as its musicians and audience alike anticipate the fresh direction and community engagement his leadership is poised to deliver. As embodied in the Colorado Symphony's rise from financial ruin to a booming $80 million endowment, Kahane's knack for turning around orchestras is a harbinger of transformation for San Antonio's musical landscape.