Bay Area/ San Francisco

Netflix AI Thriller Turns Battery Street Into Eerily Real Tent City

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Published on July 13, 2026
Netflix AI Thriller Turns Battery Street Into Eerily Real Tent CitySource: Venti Views on Unsplash

Commuters in San Francisco’s Financial District did a double-take last Friday when a tidy row of tents suddenly appeared along Battery Street. From a distance, the setup looked like another unsanctioned encampment, but the canvas turned out to be a movie set, complete with extras, grip trucks, and a boom camera. The surprise drew a crowd of onlookers and briefly clogged foot traffic on a busy downtown block.

Not a new encampment — a film shoot

The tents were part of a staged encampment for an untitled Netflix AI thriller directed by Joseph Gordon‑Levitt. Publicists said the San Francisco portion of the shoot ran for three days, as reported by the San Francisco Chronicle.

Working title and cast

The project has circulated under the working title "2034," according to local coverage. Trade reporting also says Netflix is involved and that Rachel McAdams is attached to star, with other cast names reported in local coverage. TheWrap and SFGATE have published casting and production details.

City incentives drew the production

City officials and Film SF point to the newly updated Scene in San Francisco rebate program, which expands local‑spend rebates and returns certain city fees, as a major reason productions are choosing to shoot here, according to Film SF’s official reporting. Film SF notes the program includes tiered rebates on qualifying local spending and the possibility of rebating eligible city fees up to a $1 million cap.

Money and reputation

City leaders told the Board of Supervisors that industry data shows a typical location shoot can add roughly $670,000 and about 1,500 jobs to the local economy per day, and they noted San Francisco competes with roughly 120 incentive programs worldwide. The SF Government Connection transcript of the budget committee debate lays out the case city officials used to modernize the rebate program.

Neighbors' take

Many pedestrians said the staged encampment looked uncannily like the tents they see elsewhere in the city. The San Francisco Chronicle captured a mix of bewilderment, curiosity and relief among downtown workers and residents.

When the shoot wrapped, the tents were cleared and the block returned to its usual bustle, but the episode underscored the tightrope the city walks between courting production and confronting a visible homelessness crisis. City leaders argue that bringing shoots back to San Francisco funnels money into local crews, hotels and small businesses, the very payoff the Scene in San Francisco program is designed to expand.