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West Palm Beach Cuts Loose as First-Ever Banyan Dance Festival Brings 6 Days of Nonstop Moves

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Published on August 01, 2026
West Palm Beach Cuts Loose as First-Ever Banyan Dance Festival Brings 6 Days of Nonstop MovesSource: Unsplash/ Morgan Petroski

West Palm Beach is about to get a new reason to clear room on the cultural calendar: Banyan Dance Festival, a six-day gathering of performers, choreographers, students and audiences that will turn the city into a temporary home for dance.

WPTV recently spotlighted the inaugural event as organizers prepared for its launch. Banyan runs from Monday through Saturday, Aug. 3-8, pairing performances with training, creative development and community events instead of keeping the action confined to a single theater.

A New Dance Platform Takes Shape In West Palm Beach

The festival is being presented by Natural Movers Foundation in partnership with Grounded West Palm Beach, with the goal of building a new model for dance presentation in The Palm Beaches, according to Miami Artzine. The lineup is designed to bring professional artists, aspiring dancers, choreographers and community members into the same orbit.

Palm Beach County dance professionals Branndi Lewis and Ericka Squire launched Banyan after seeing a familiar problem in South Florida: plenty of talent, but fewer opportunities for artists to train, create and perform close to home, as Palmer PB reported. The result is part festival, part intensive and part behind-the-scenes peek at how new work gets built.

Training Programs Put Young Dancers In The Room

Banyan’s pre-professional intensive is aimed at 20 dancers ages 16 to 25, with daily technique classes, rehearsals and a creative process led in part by choreographer Babatunji Johnson. The weeklong program costs $450 and is based at Palm Beach Atlantic University, according to the festival’s official training details.

A separate Young Artist Program serves dancers ages 12 to 15, giving younger participants a structured introduction to ballet, modern, contemporary and other movement practices. The broader schedule also includes artist conversations, rehearsal observations and public-facing gatherings, making the festival more accessible than a standard ticket-and-seat affair.

One of the more playful public events is a silent disco at Nora District on Thursday, Aug. 6, where guests will dance through wireless headphones from 8 to 11 p.m., according to Nora’s event listing. It is a fittingly low-volume way to make a lot of movement without starting a neighborhood percussion section.

New Works Will Anchor The Festival’s Final Weekend

The Banyan Gala is scheduled for Friday, Aug. 7, at Ballet Florida, with cocktails, performance excerpts and a reception from 6 to 9 p.m. The festival’s main concert follows Saturday, Aug. 8, at the Norton Museum of Art, where audiences will see original works by resident choreographers Sean Aaron Carmon and Babatunji Johnson, along with work by invited artists and companies, according to the festival performance schedule.

The final concert is set for 8 to 9:30 p.m. at 1450 S. Dixie Highway, while the gala will take place at 700 S. Dixie Highway. Tickets are listed at $65 for the concert and $50 for the gala, giving the week a polished finale after several days of classes, rehearsals and community programming.

The festival’s international reach also includes Cuban artists Norge Cedeño and Thais Suárez, who are expected to create a new contemporary work for Banyan’s apprentice company, Palmer PB noted. That mix of local dancers, national faculty and international collaborators is what organizers hope will make the event more than a one-off showcase.

Why The Festival Matters Beyond One Week

Banyan is backed in part by the Cultural Council for Palm Beach County’s Bright Ideas program, which supports new events and festivals intended to strengthen the county’s cultural sector and attract audiences, according to the Cultural Council. For West Palm Beach, the festival offers another way to turn the area’s growing arts identity into something residents can experience in real time—not just hear about after the dancers have left town.